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caliwag

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Another book review


caliwag

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Aye, as a guide for design decision making, prompts and reminders if you're starting out, this is a must. I make no apologies for this recommendation, which I started using in 1979. " A Pattern Language" by Chris Alexander, Ishikawa, Silverstein and colleagues is a must...throw away the plan books and use words to explore any sketches to assist in list making of wants, desires, must-haves, dislikes etc. There's no glossy fashion shots, many black and white photos to amplify the theme. The book is built around 253 themes (patterns), which are cross-referenced where appropriate ranging from town-design to placing your miss-matched armchairs...in a nut shell.

 

The book is difficult to describe in a few words, so I'll quote from the jacket..." At the core of the book is the idea that people should design for themselves: their own houses, streets, communities...Coming from the observation that most wonderful places of the world were not made by architects but by the people."

 

The book is still available (difficult to see it ever being withdrawn) and is available on abebooks for about £35 and as afree PDF download on a site called 'Diversity Univercity' for how long I know not!, but it's worth looking out for secondhand, because printing out 1200+ pages does not look fun. Of course, you could also support your local independent bookshop (Use it or lose it, and all that).

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I have found the books illuminating, having inherited them from my dad who was leant them by a lady who had spent her life doing interesting things in Africa which included building her own huts, but died before her zero-cost windmill conversion project came off.

 

This is quite a good, but slightly lengthy, summary, from the Wiki piece. The best observation is that the 'patterns' are experience-based hypotheses - good servant, poor master, definitely not a pattern-book in the Georgian/Victorian sense, but can help your designs be more 'human'.

 

Quote

 

"

According to Alexander & team, the work originated from an observation that

At the core […] is the idea that people should design for themselves their own houses, streets and communities. This idea […] comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people.

— Christopher Alexander et al., A Pattern Language, front bookflap

The book uses words to describe patterns, supported by drawings, photographs and charts. It describes exact methods for constructing practical, safe, and attractive designs at every scale, from entire regions, through cities, neighborhoods, gardens, buildings, rooms, built-in furniture, and fixtures down to the level of doorknobs. The patterns are regarded by the authors not as infallible, but as hypotheses:

[…] each pattern represents our current best guess as to what arrangement of the physical environment will work to solve the problem presented. The empirical questions center on the problem—does it occur and is it felt in the way we have described it?—and the solution—does the arrangement we propose in fact resolve the problem? And the asterisks represent our degree of faith in these hypotheses. But of course, no matter what the asterisks say, the patterns are still hypotheses, all 253 of them—and are therefore all tentative, all free to evolve under the impact of new experience and observation.

— Christopher Alexander et al., A Pattern Language, p. xv

Some patterns focus on materials, noting that some ancient systems, such as concrete, when adapted by modern technology, may become one of the best future materials:

We believe that ultra-lightweight concrete is one of the most fundamental bulk materials of the future.

— Christopher Alexander et al., A Pattern Language, p. 958

Other patterns focus on life experiences such as the Street Cafe (Pattern 88):

The street cafe provides a unique setting, special to cities: a place where people can sit lazily, legitimately, be on view, and watch the world go by […]. Encourage local cafes to spring up in each neighborhood. Make them intimate places, with several rooms, open to a busy path, where people can sit with coffee or a drink and watch the world go by. Build the front of the cafe so that a set of tables stretch out of the cafe, right into the street.

— Christopher Alexander et al., A Pattern Language, p. 437,439

When these patterns are taken together, the authors say, they begin to form a kind of language, each pattern forming a word or thought of a true language rather than being a prescriptive way to design or solve a problem."

 

 

 

 

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Edited by Ferdinand
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